Frank Stella 1959 - digading.com
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08/05/2019 · Narrator: In 1959, Stella began covering his canvases in straight, symmetrical, centrally organized black stripes. His radical, influential series of Black Paintings was the result. Frank Stella. Frank Stella: I had this notion that, not so much the flatness, but the surface of the paintings would. Frank Stella, Zambezi, 1959. Artwork Info Artwork title Zambezi Artist name Frank Stella Date created 1959 Classification painting Medium enamel on canvas Dimensions 90 3/4 in. x 78 3/4 in. 230.51 cm x 200.03 cm Date Acquired 2001 Credit. See other works by Frank Stella. Frank Stella gave the work a provocative title. Die Fahne Hoch! is named after the anthem of the Nazi Party, the "Horst Wessel Song", and is one of three paintings in the series that make direct reference to Nazism. By applying a hotly emotive title to the image, Stella's ironic purpose was that of destabilizing the idea of meaning itself. 04/03/2019 · Frank Stella used commercial black enamel paint and a house painter’s brush to make The Marriage of Reason and Squalor, II. The thick black bands are the same width as the paintbrush he used. The thin white lines are not painted; they are gaps. Acabaram se conhecendo na exposição "Sixteen Americans" que organizou no MOMA em 1959. Ao renunciar ao expressionismo abstrato, Stella converteu-se desde a década de 1960 num dos máximos representantes da abstração geométrica e construtivista que preludia a arte minimalista.

Stella 1959 Last Cubist Collage Carnegie. Frank Stella - The 60's. 2 Photos. Em 1959, o comerciante de arte Leo Castelli incluiu Stella, com apenas 23 anos, entre os mais importantes artistas que a sua galeria representava. Depois disso Stella continuou a desenvolver seu trabalho. Passou a incluir cores brilhantes, tintas metálicas e telas com formas geométricas e curvilíneas.

Frank Stella is an Italian American painter and printmaker, significant in the art movement called ”post-painterly abstraction”. His early works anticipates many elements of minimalism, which is why he is also considered by some a minimalist, although most of his later artworks are not strictly minimalist. Acabaram se conhecendo na exposição "Sixteen Americans" que organizou no MOMA em 1959. Ao renunciar ao expressionismo abstrato, Stella converte-se desde a década de 1960 num dos máximos representantes da abstração geométrica e construtivista que preludia a arte minimalista. Frank Stella was born in Malden, Massachusetts, to parents of Italian descent. His father was a gynecologist, and his mother was an artistically inclined housewife who attended a fashion school and later took up landscape painting. Frank Stella, an iconic figure of postwar American art, is considered the most influential painter of a generation that moved beyond Abstract Expressionism toward Minimalism. In his early work, Stella attempted to drain any external meaning or symbolism from painting, reducing his images to geometric form and eliminating illusionistic effects.

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